DEUTSCHE AKADEMIE DER WISSENSCHAFTEN |
DEUTSCHE AKADEMIE DER WISSENSCHAFTEN |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
. | . | .Deutsche Übersetzung in Arbeit |
ART |
Music Evolution Natural Harmony Universal Development of Consciousness and Creativity |
The Harmony Laws of the Microcosm of Music in the Field of Unity 7.3.1.00.00 7.3.7.00.00 |
Common eigenfunction of the attacks of idea and
tone in the musical force-fields
Universal analysis of the combination of basic sound and basic idea in the musical process of creating 7.3.3.11.00
• in the musical harmony-space
• in the musical sequence-space
• in the musical motif-space
• in the musical tone-space
• in the acoustic space
SEMINARS
7.3.3.11.01
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our self-awareness to the force-field of our intellect
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.01.1 |
7.3.3.11.01.2 |
7.3.3.11.01.3 |
7.3.3.11.01.4 |
7.3.3.11.01.5 |
7.3.3.11.02
Common eigenfunction of the attacks of idea and tone at the transitionfrom the force-field of our intellect to the force-field of the musical harmony-space
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.02.1 |
7.3.3.11.02.2 |
7.3.3.11.02.3 |
7.3.3.11.02.4 |
7.3.3.11.02.5 |
7.3.3.11.03
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical harmony-space to the force-field of our feeling
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.03.1 |
7.3.3.11.03.2 |
7.3.3.11.03.3 |
7.3.3.11.03.4 |
7.3.3.11.03.5 |
7.3.3.11.04
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our feeling to the force-field of the musical sequence-space
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.04.1 |
7.3.3.11.04.2 |
7.3.3.11.04.3 |
7.3.3.11.04.4 |
7.3.3.11.04.5 |
7.3.3.11.05
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.05.1 |
7.3.3.11.05.2 |
7.3.3.11.05.3 |
7.3.3.11.05.4 |
7.3.3.11.05.5 |
7.3.3.11.06
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our understanding to the force-field of the musical motif-space
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.06.1 |
7.3.3.11.06.2 |
7.3.3.11.06.3 |
7.3.3.11.06.4 |
7.3.3.11.06.5 |
7.3.3.11.07
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of the musical motif-space to the force-field of our hearing
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.07.1 |
7.3.3.11.07.2 |
7.3.3.11.07.3 |
7.3.3.11.07.4 |
7.3.3.11.07.5 |
7.3.3.11.08
Common eigenfunction of the attacks of idea and tone at the transition from theforce-field of our hearing to the force-field of the musical sound-space
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.08.1 |
7.3.3.11.08.2 |
7.3.3.11.08.3 |
7.3.3.11.08.4 |
7.3.3.11.08.5 |
7.3.3.11.09
Common eigenfunction of the attacks of idea and tone at the transitionfrom the force-field of the musical sound-space to the field of our inner voice
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.09.1 |
7.3.3.11.09.2 |
7.3.3.11.09.3 |
7.3.3.11.09.4 |
7.3.3.11.09.5 |
7.3.3.11.10
Common eigenfunction of the attacks of idea and tone at the transition from the field of our inner voice to the force-field of our mind
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.10.1 |
7.3.3.11.10.2 |
7.3.3.11.10.3 |
7.3.3.11.10.4 |
7.3.3.11.10.5 |
7.3.3.11.11
Common eigenfunction of the attacks of idea and tone at the transition from the force-field of our mind to the field of our neurophysiology
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.11.1 |
7.3.3.11.11.2 |
7.3.3.11.11.3 |
7.3.3.11.11.4 |
7.3.3.11.11.5 |
7.3.3.11.12
Common eigenfunction of the attacks of idea and tone at the transition from the field of our neurophysiology to the force-field of the acoustic space
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical harmony-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical sequence-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical motif-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the musical tone-space |
HARMONY Universal analysis of the combination of basic sound and basic idea in the musical process of creating in the acoustic space |
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7.3.3.11.12.1 |
7.3.3.11.12.2 |
7.3.3.11.12.3 |
7.3.3.11.12.4 |
7.3.3.11.12.5 |