18. Intellectual Discrimination to Musical Motif-Space
Subject of Study 5
Scientifically Studying Creativity – the Universal Functioning of the Seer – the
Human Realisation of the Veda – within the Universal Musical Creative Ability
of our Intellectual Understanding
Through the Transition from the Field of Knowledge of our
Intellectual Understanding to the Field of Knowledge of the
Musical Motif-Space
During / by the Integrated Synthesis of Sound and Tone
Seminar Series
at the transition of sound and tone from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the voiced consonant and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the unvoiced consonant and tone from the force-field of
our understanding to the force-field of the musical motif-space
at the transition of the formants and the overtone spectrum of the tone from
the force-field of our understanding to the force-field of the musical motif-space
at the transition of vowel and tone from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the overtone mechanics of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the decays of sound and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the attacks of sound and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the aperiodic vibrations of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the vibration sequences of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the periodic vibrations of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the overtone spectra of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of basic sound and basic tone from the force-field of our understanding
to the force-field of the musical motif-space
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