18. Intellectual Discrimination to Musical Motif-Space
Subject of Study 6
Scientifically Studying Creativity – the Universal Functioning of the Seer – the
Human Realisation of the Veda – within the Universal Musical Creative Ability
of our Intellectual Understanding
Through the Transition from the Field of Knowledge of our
Intellectual Understanding to the Field of Knowledge of the
Musical Motif-Space
During / by the Synthesis of the Sound
Seminar Series
at the transition of the sound of the combination of vowel and consonant from
the force-field of our understanding to the force-field of the musical motif-space
at the transition of the voiced consonant from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the unvoiced consonant from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the formants from the force-field of our understanding to
the force-field of the musical motif-space
at the transition of the vowel from the force-field of our understanding to the
force-field of the musical motif-space
at the transition of the overtone mechanics of the sound from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the decay of the sound from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the attack of the sound from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the aperiodic vibration of the sound from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the vibration sequence of the sound from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the periodic vibration of the sound from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the overtone spectrum of the sound from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the basic sound from the force-field of our understanding
to the force-field of the musical motif-space
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