19. Musical Motif-Space to Creative Field of Inner Hearing
Subject of Study 5
Scientifically Studying the Universal Coordinative Development of Human Creativity – the
Universal Functional Development of the
Seer – the Human Realisation of the Veda –
Through the Universal Musical Coordination of our Inner Cosmic Hearing Ability
with our Ability of Cosmic Intellectual Understanding
During the Transition from the Field of Knowledge of the Musical
Motif-Space to the Field of Knowledge of our Hearing
By the Integrated Synthesis of Sound and Tone
Seminar Series
at the transition of sound and tone from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the voiced consonant and tone from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the unvoiced consonant and tone from the force-field of
the musical motif-space to the force-field of our hearing
at the transition of the formants and the overtone spectrum of the tone from
the force-field of the musical motif-space to the force-field of our hearing
at the transition of vowel and tone from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the overtone mechanics of sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the decays of sound and tone from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the attacks of sound and tone from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the aperiodic vibrations of sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the vibration sequences of sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the periodic vibrations of sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the overtone spectra of sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of basic sound and basic tone from the force-field of the musical
motif-space to the force-field of our hearing
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