17. Musical Sequence-Space to Discriminative Intellect
Subject of Study 3
Scientifically Studying the Universal Coordinative Development of Human Creativity – the
Universal Functional Development of the Cosmic Sun – the Human Cultural
Path to Cosmic Intuition –
Through the Universal Musical Coordination of the Creative Abilities of our Cosmic
Intellectual Understanding with the Integrative Ability of our Cosmic Feeling
During the Transition from the Field of Creativity of our
Intellect
to the Force-Field of the Musical Sequence-Space
By the Integrated Synthesis of Idea and Tone
Seminar Series
at the transition of the overtone mechanics of idea and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the decays of idea and tone from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the attacks of idea and tone from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the aperiodic idea chain and the aperiodic vibration of
the tone from the force-field of the musical sequence-space to the force-field
of our understanding
at the transition of the idea sequence and of the vibration sequence of the tone
from the force-field of the musical sequence-space to the force-field of our
understanding
at the transition of the periodic idea chain and of the periodic vibration of
the tone from the force-field of the musical sequence-space to the force-field
of our understanding
at the transition of the idea derivation and the overtone spectrum of the tone
from the force-field of the musical sequence-space to the force-field of our
understanding
at the transition of basic idea and basic tone from the force-field of the musical
sequence-space to the force-field of our understanding
at the transition of the aperiodic idea chain and the aperiodic vibrations of
sound and tone from the force-field of the musical sequence-space to the force-field
of our understanding
at the transition of the idea sequence and the vibration sequences of sound and
tone from the force-field of the musical sequence-space to the force-field of
our understanding
at the transition of the periodic idea chain and the periodic vibrations of sound
and tone from the force-field of the musical sequence-space to the force-field
of our understanding
at the transition of the idea derivation and the overtone spectra of sound and
tone from the force-field of the musical sequence-space to the force-field of
our understanding
at the transition of basic idea and basic tone from the force-field of the musical
sequence-space to the force-field of our understanding